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INTERESTING LINKS: Alan Moore Interview at WIRED : February 24th, 2009

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WIRED recently posted interviews with Watchmen creators Alan Moore and Dave Gibbons, in anticipation of the upcoming, unfortunate movie adaptation. The interview with Moore, who wants nothing to do with the movie (and discusses at length the reasons why) is typically fascinating reading. Of particular note is the last page of the interview, where Moore talks quite a bit about his upcoming magical grimoire he is currently working on, The Bumper Book of Magic. It sounds like it should be incredible.

CRUMBLING PAPER: Winnie Winkle, The Breadwinner (strip #2)

Here’s another example I scanned of Winnie Winkle, The Breadwinner, with the footer strip Looie Blooie, Attorney at Law, from 1933 by Martin Branner.

Click the image to view the full strip.

Click here to read more examples of Winnie Winkle at Barnacle Press.

See another Winnie Winkle Sunday strip here.

Click here to read an old article on Martin Branner at the Stripper’s Guide here.

Click here to read Louie the Lawyer by Martin Branner at the Stripper’s Guide here.

Click here to read about Martin Branner at lambiek.net.

Click here to read about Winnie Winkle at Don Markstein’s Toonopedia.

See some interesting Winnie Winkle original art here.

HEY! KIDS! COMICS! : Michael Furious’ DOGS : February 23rd, 2009

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My friend Michael Furious has started a fun project online called DOGS that he is hoping to fuel with some audience participation. He is going to base what happens in the comic on comments received from the audience as to where they think the story should go.

That man can draw! The easiest way to view it is as a Flickr slideshow here. Do yourself a favor, go check it out, and then give him some feedback on where you think the story should go.

Here are the rules to participate.

Here is the spiel from Michael…

I’d like to invite everyone to participate in a comic experiment I’ve just started, called Dogs.

The idea is based a little off of some meditations on Charles Dickens public readings, the nature of the internet, and just wanting to have a little fun. The comic is not.

So what I’ve done is draw the first 27 pages of story, which provides a cast of characters, a setting, and several possible plot devices and hooks. The hope is that you, the reader, will drop by and leave comments. Who you think is who. What you think is what. What will happen next? And so on.

Then I draw more pages of story and around and around it goes.

The full “rules”, and story, are here.

(I know, I know. LJ is made of blinking lights and fail. So is my knowledge of code.)

You can also find it here.

A sample page:

INTERESTING LINKS: MOMEntum Show at MCAD: February 23rd, 2009

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I’m very excited about an upcoming gallery show at MCAD in Minneapolis featuring the work of the artists in Fantagraphics’ MOME anthology (including locals Tom Kaczynski and Zak Sally). MOME is the best ongoing comics anthology around these days in my view, and the talent in it includes many of the best cartoonists working today. Needless to say, if you’re in the area, you won’t want to miss this… the opening reception is March 6th. More info here.

Also on March 6 is an afternoon lecture at 1PM with Mome editor Eric Reynolds. Find out more about this related event here. April 9th there will be a gallery talk with Tom Kaczynski and Zak Sally starting at 6:30 p.m.

Also of note! on March 1st, there will be a screening at MCAD of the new movie Will Eisner: Portrait of a Sequential Artist. More info here.

THE PEANUT GALLERY: Wait a Week to Watch the Watchmen

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I started a Facebook group here that I encourage you all to join encouraging people to wait a week (or more) to watch the movie adaptation of Watchmen. Here is what I posted there:

The movie Watchmen was made without the consent or participation of the writer of the book, Alan Moore.

Out of respect for Mr. Moore, members of this group should wait at least one week (preferably more) after the theatrical release of Watchmen to watch it, as a small protest to the consistently poor treatment of Mr. Moore by Time Warner and DC Comics. DC comics, it should be noted, has a long and notorious history of poor treatment of cartoonists, going back at least to screwing a couple of teenagers out of the rights to Superman.

I am not arguing that it is wrong to go see the Watchmen movie if you really want to. I am just suggesting you wait a bit to see it, out of RESPECT for the person who wrote it, as his wishes for it are not being honored.

I repeat… this is an issue of RESPECT. It is not a legal issue. It is not an issue of artistic merit, or lack thereof. It is not even an issue of being completely sick of seeing marketing for this movie everywhere, even though I certainly am. It is an issue of respecting the intent of an artist whose works you respect.

Furthermore, a week is a VERY small time to wait if you really want to see this thing. It is an important time to the Time Warner Corporation, however, as how a movie is received in its first week very much effects how successful it is overall.

I’ve read many objections to Mr. Moore’s complaints about the film. Yes, Mr. Moore was doing work for hire… yes, he sold the rights to Watchmen. It was certainly a bad business deal.

Mr. Moore signed a contract where the rights to Watchmen would return to him after the book had been out of print for a designated period of time. At the time Watchmen came out, there was no precedent for a graphic novel NOT going out of print. Watchmen, Dark Knight and Maus changed that. Mr. Moore naively thought at the time he signed the contract that he would get the rights back, and DC Comics was happy to exploit him.

Regardless of whatever mistakes Mr. Moore has made in this instance, his works have greatly enriched my life. Out of respect for him, I don’t think it is asking a lot to wait a week or two to see whatever travesty they have made of his book on the screen… or, better yet, you could choose not to see it at all.

The book is still on the shelf, and will always be the best way to experience this masterpiece of comics fiction. Why not do yourself a favor and read it instead of watching the Hollywood aberration?

If you’ve ever read and enjoyed any of the wonderful works of Alan Moore, please consider affording him this extremely small favor.

Here is an interview with Alan Moore on the subject at Entertainment Weekly.

Here is an overview of Mr. Moore’s history with the movie business from the New York Times.

For another view on this, see this interview with Watchmen artist Dave Gibbons, who approves of the movie.

Slime-coated Hollywood producer Don Murphy calls Alan Moore a hypocrite and a liar, and completely misses the point, as you would expect.

(Note: Above image is Creative Commons licensed on Flickr here.)

CRUMBLING PAPER: Winnie Winkle, The Breadwinner (strip #1)

Here’s an example I scanned of Winnie Winkle, The Breadwinner, with the footer strip Looie Blooie, Attorney at Law, from 1933 by Martin Branner.

Click the image to view the full strip.

Click here to read more examples of Winnie Winkle at Barnacle Press.

See another Winnie Winkle Sunday strip here.

Click here to read an old article on Martin Branner at the Stripper’s Guide here.

Click here to read Louie the Lawyer by Martin Branner at the Stripper’s Guide here.

Click here to read about Martin Branner at lambiek.net.

Click here to read about Winnie Winkle at Don Markstein’s Toonopedia.

See some interesting Winnie Winkle original art here.

HEY! KIDS! COMICS! : Carl Barks’ Porky of the Mounties : February 17th, 2009

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Carl Barks is best known for all his fantastic work on the Disney Duck comics, but he did other wonderful kids comics for Dell as well. Today, Cool-Mo-Dee brings us his one Porky Pig comic book, Porky of the Mounties, which was Four Color issue #48. Pictured above is a small image of the Porky of the Mounties painting that Barks did for the cover of the 1977 Overstreet Comic Book Price Guide.

INTERESTING LINKS: Koko the Clown Flipbook at Uncle John’s Crazy Town: February 17th, 2009

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Uncle John’s Crazy Town brings us a cool little Koko the Clown flipbook you can print, apparently from a book called Betty Boop’s Movie Cartoon Lessons. I hope he posts more stuff from the book!

CRUMBLING PAPER: Herr Spiegleburger by Carl Anderson

Here’s an example I scanned of Herr Spiegelburger aka Herr Spiegelberger from May 7, 1905 by Carl Anderson. Anderson later went on to create the wordless strip Henry, for which he is best-known.

Click the image to view the full strip.

Please be advised that like many of the comic strips of the era, it contains potentially offensive ethnic depictions. If this sort of thing offends you, you may not want to view it.

Click here to read about Carl Anderson at lambiek.net.

Here is a Carl Anderson fan site with a number of Henry strips.

Somewhat improbably, Henry still exists as a King Features comic strip to this day. I don’t recall ever seeing it in a modern newspaper during my lifetime.

Click here to read more about Carl Anderson’s Henry at Don Markstein’s Toonopedia.

You can find a couple complete Henry comic books here and here.

HEY! KIDS! COMICS! : Mickey’s Bastards : February 16th, 2009

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Thad at ThadBlog has found a hilarious and dark origin story of Mickey Mouse’s basta… um… nephews Morty and Ferdie by Wilfred Haughton from the UK’s Mickey Mouse Annual #6, 1935. Dan O’Neill could have put this in Air Pirates and it would have fit right in…