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Interesting Links: March 26th, 2008

Crumbling Paper: Mr. Jack! (strip #3)

Here’s another example I scanned of that libidinous rapscallion Mr. Jack from 1906 by Jimmy Swinnerton.

Click the image to view the full strip.

Click here to more read more examples of Swinnerton’s Mr. Jack at Barnacle Press.

Click here to read examples of Little Jimmy at Barnacle Press.

Click here to read examples of Swinnerton’s Mr. Batch at Barnacle Press.

Click here to read more examples of Swinnerton’s Mr. Jack at The Stripper’s Guide

Read an article from 1906 about Jimmy Swinnerton at The Stripper’s Guide.

See an example of Swinnerton’s Mount Ararat (second series) at The Stripper’s Guide.

See examples of Swinnerton’s An Embarrassing Moment at The Stripper’s Guide.

See examples of Swinnerton’s Canyon Kiddies, Mr. Jack, Mount Ararat and Little Jimmy, as well as some of his landscape paintings, on Coconino Classics.

See examples of a variety of strips by Swinnerton at Ohio State University’s Newspaper Cartoon Artists online exhibit.

Click here to read about Jimmy Swinnerton at lambiek.net.

Click here to read more about Mr. Jack at Don Markstein’s Toonopedia.

Click here to read more about Jimmy Swinnerton at Don Markstein’s Toonopedia.

THE CARTOON CRYPT: Betty Boop with Henry, the World’s Funniest American (1935)

THE CARTOON CRYPT

Here’s another Betty Boop cartoon with a guest star from the funny pages… here with Carl Anderson’s Henry. Unlike the comic strip, for some reason they decided Henry should talk in the movie. A strange decision, as I don’t think it adds much to have him talk in the cartoon, or even to the storytelling… and it is certainly a big part of his comic strip’s appeal. Boy oh boy does Henry look wrong with a mouth. Come to think of it, boy does Henry look wrong.

Read more about this cartoon on The Big Cartoon Database.

Interesting Links: March 25th, 2008

Help Beerbohm Get New Hips by Buying His Cool Old Comic Books

Below is a press release from comics historian and retailer Robert Beerbohm, who needs to raise some funds to get hip replacement surgery in India, as he has been shafted by the pathetic American healthcare system and his typically sleazy insurance company. He doesn’t want charity… he wants to give you a good excuse to buy cool old comic books. I haven’t met Robert, but he does a wonderful job moderating the fantastic Platinum Age Comics Yahoo Group.

Above: Beerbohm at the recent Wondercon held last month at the Moscone Center in San Francisco holding a Katzenjammer Kids comic book from 1905 and the very first Popeye comic book from 1931. Only way he got there was some one else drove.

Robert Beerbohm Comic Art
www.BLBcomics.com

eBaystore: BLB COMICS

Overstreet Comic Book Price Guide Advisor and Historian Robert L. Beerbohm, long-time compiler of the Victorian and Platinum Era comics sections, needs an assist from those in comics fandom who have enjoyed his work in documenting some of our long-forgotten early history of the origins of the American Comic Book.

After eleven years of building the most concise widely-read historical synopsis of the comic strips true roots in America dating more than 160 years ago, he finds himself in need very soon for dual hip replacement operations. He has been told by a doctor the joint sockets are deteriorating at an accelerating rate. If he does not get this accomplished this year, the operations might not be able to be successful.

Long story short, he has been told any where from $60 to 80,000 per side to be healed in America, but over in India, the quote is only $8000 per side plus air fare. This has turned into a no-brainer after he realized one in every seven Americans is without access to covered health care.

No charity is requested. If you like his comics history work, you can help him get back in the game simply by purchasing a few books from his list of 12,000 pre-1980 comic books and related items on his web site.

Or, from his web site, you can also click to his eBay store BLB COMICS with a slew of high grade as well as mid grade comics collectibles all pictured with large scans and digital shots.

If just 400 of you reading this take heed, spending just $50 at his web site, he can reach his goal.

A BIT OF HISTORY

An insurance policy he was paying on to HMO Aetna was arbitrarily cancelled by them, citing undisclosed pre-existing condition due to his having been a passenger in a 1974 comicon-bound van outside Houston, Texas pile up documented in Dark Horses anecdotal comics encyclopedia Between The Panels under the heading On The Road.

While also suffering a slightly cracked skull, broken nose, cracked shins and impacted teeth which all mostly healed back in the 70s, ultimately what is doing him in now was the impact points of his hip joints in that accident. Seems the impact point cartilage wore off at a faster rate over 30 years, leaving bone on bone at various points, which is quite painful at times.

Beerbohm’s first comicon was Houstoncon June 1967 where he turned 15 at the show. He has sold comics at every San Diego Comicon since the first one in 1970, the same year he also began a yearly trek to Phil Seulings legendary July 4th weekend New York City shows. He lost count after 1000 shows some time ago.

He went from 30+ comicon shows around the country a year up thru 2005 when his hip joints finally gave out at that years Chicago Wizard show. In 2006 eight shows, in 2007 just three, this year the jury is still out.

By August 1972, he co-founded what became Comics & Comix in the San Francisco Bay Area with the late, fondly missed John Barrett and Bud Plant. Robert joined in with them following a conversation he had one-on-one on an early Sunday morning with the late legendary Will Eisner had the genius’s second comicon appearance at Multicon in Oklahoma City June 1972.

Eisner told Beerbohm when the talk moved over to what steps could be taken to try to save the comic book, then undergoing horrendous cover price increases following the fallout of the glut brought on by the Batman TV craze of the late 60s, that one way was to plant comic book stores near college campuses, then an unheard-of idea.

With that first store at 2512 Telegraph Ave in Berkeley just a few blocks down from UC-Berkeley, they thought they could sell a lot of alternative creator-owned comix then known as underground.

Within six months they hosted the first Bay Area comicon Berkeleycon 73 in the Pauley Ballroom in the ASUC Building on campus, site of many earlier Grateful Dead, Jefferson Airplane, etc concerts. Many thousands came thru to check out the new comix. The fabled Tom Reilly pedigree collection of some 4800 NM/M Golden Age comic books surfaced at this seminal show which Comics & Comix was blessed with acquiring almost 7/8s of the entire score. Robert is trying to finish up the chapter on this legendary collection for the upcoming pedigree book.

Bud and Robert were also housemates in San Jose in those years then when the phone call came in from Phil Seuling informing them he had just cut a deal to be able to ship Archie, DC, Marvel, Warren comic books from Sparta, Illinois. Phil offered the west coast to Bud at the time, but Bud turned him down, preferring then to concentrate on all the proliferating smaller press material, especially those comix containing Robert Crumb, Gilbert Shelton, Art Spiegelman, Richard Corben, Vaughn Bode and a host of other talented comix creators. Out of all this energy, the Direct Market had been birthing and Comics & Comix was right in the middle of it all.

That was a long time ago in that galaxy far far away. He profusely thanks each and every one who responds to this.

Comic Book History in America is 166 years old now. Beerbohm is eager to get back on the road setting up at shows around the country while also continuing his on-going quest to learn and share with all collectors and scholars more Secrets Behind the Origins of The Comics Business in future Price Guides.

Crumbling Paper: Mr. Jack! (strip #2)

Here’s an example I scanned of the bottom half of a badly mauled (the first three panels are entirely missing) Mr. Jack strip from 1903 by Jimmy Swinnerton.

Click the image to view the full strip.

Click here to read more examples of Swinnerton’s Mr. Jack at Barnacle Press.

Click here to read examples of Little Jimmy at Barnacle Press.

Click here to read examples of Swinnerton’s Mr. Batch at Barnacle Press.

Click here to read more examples of Swinnerton’s Mr. Jack at The Stripper’s Guide

Read an article from 1906 about Jimmy Swinnerton at The Stripper’s Guide.

See an example of Swinnerton’s Mount Ararat (second series) at The Stripper’s Guide.

See examples of Swinnerton’s An Embarrassing Moment at The Stripper’s Guide.

See examples of Swinnerton’s Canyon Kiddies, Mr. Jack, Mount Ararat and Little Jimmy, as well as some of his landscape paintings, on Coconino Classics.

See examples of a variety of strips by Swinnerton at Ohio State University’s Newspaper Cartoon Artists online exhibit.

Click here to read about Jimmy Swinnerton at lambiek.net.

Click here to read more about Mr. Jack at Don Markstein’s Toonopedia.

Click here to read more about Jimmy Swinnerton at Don Markstein’s Toonopedia.

More of the Handy Man from Timbuctoo!

My friend Thrillmer at Barnacle Press has delighted me by managing to hunt down what is probably the vast majority of the run of the obscure and deeply bizarre Handy Man from Timbuctoo strips that I posted examples of the other week. These include the Handy Man’s first “origin” strip, and a cross-over strip with none other than Foxy Grandpa! The stylistic similarities of the Handy Man and Foxy Grandpa have made Thrillmer conclude that they are both strips by Carl Edward “Bunny” Schultze (who signed his strips with a bunny drawing), rather than the Handy Man being drawn by the mysterious CAW (who signs his strips with a crow drawing). Good eye, Thrillmer! Note also that CAW sounds like Carl with a drawl. I had noticed the similarities between the styles, but it hadn’t occurred to me that they were the same artist. I’m still not 100% convinced (I’m about 97% convinced, and I only go up to 99% convinced of anything… I need to compare them some more). Compare them and see what you think… and please let us know in the comments.

The Handy Man from Timbuctoo on Barnacle Press
The Handy Man from Timbuctoo on Stwallskull
Foxy Grandpa on Barnacle Press
Foxy Grandpa on Stwallskull

THE CARTOON CRYPT: Betty Boop and Little Jimmy (1936)

THE CARTOON CRYPT

Here’s a Betty Boop cartoon featuring Jimmy Swinnerton’s Little Jimmy (I’ll be presenting some Little Jimmy strips soon for your reading pleasure). Betty is using a vibrating belt machine to lose weight… I remember playing with one of these at some relative’s house as a kid. I don’t think anyone ever lost weight with one of these contraptions, and it would be a good bet that a lot of people met their chiropractors with their assistance. This cartoon also reveals the little known fact that laughing causes obesity, which explains why fat people are always so damned jolly.

Read more about this cartoon on The Big Cartoon Database here.

Interesting Links: March 24th, 2008