BIG FUNNY DEADLINE IN TWO LITTLE WEEKS! (May 1st)

Things are moving fast… we are now two weeks from the BIG FUNNY deadline (May 1st). From the estimates we have received, it looks very likely that we will be able to do the whole publication in full color… so I hope participants will all strongly consider taking advantage of it!

Unless you make posters, there aren’t a lot of opportunities to get printed at such a huge size and in color… I can’t wait to be dazzled by what people do with it. It will be quite a unique publication… please do let all your cartoonist/poster artist/printmaker/designer/illustrator friends know about it, and encourage them to participate.

Specs and other information for the project can be found here on the BIG FUNNY website. There is also a text-only version of the information here.

I urge you to carefully read ALL of the information there before digging in, as the specs are particular… and we would really hate to have to reject people’s work because people didn’t follow the specs.

Here is a description of the project in the words of local hero Kevin Cannon at the Big Time Attic blog:

So I was over at the watercooler today, and a co-worker leans over his cubicle wall and says, “Hey Kev, what’s this ‘BIG FUNNY’ all the kids are talking about?” So I say, “Well, Doug, check the BTA blog in a few minutes and I’ll tell you!”

So here’s the scoop:

Minneapolis cartoonists have a tradition of curating a yearly show at the Altered Esthetics gallery in Nordeast Minneapolis. Last year we mounted Lutefisk Sushi: Volume C, which was a huge hit, had a ton of great contributors, and had an absolutely packed opening night party.

This August we’re doing something a little different: Big Funny, a nod to the glorious & wacky full page (and often full color) newspaper comics of the turn of the century). Where Lutefisk Sushi asked participants to create mini-comics and gathered them all up in a BOX, Big Funny is asking people to draw a 15.5″w x 20″h comic strip (color or bw) which will then be printed in a big fat NEWSPAPER.

The Big Funny gallery show this August will have original art from the Big Funny newspaper, as well as vintage turn o’ the century comics (thanks to collector extraordinaire Steve Stwalley). You’ll also be able to get your hands on the Big Funny newspaper — right now we’re thinking it’ll be 48 pages.

Interested in having your cartoon grace one of those pages? Here’s a quick guide to get you started:

1. Read through www.cartoonistconspiracy.com/bigfunny. That should answer most of your questions.
2. Create your comic. Keep these specs in mind:
* Art should be 15.5″ (wide) x 20″ (high)
* If you’re doing color, make it 300 dpi
* If you’re doing black and white, make it at 1200 dpi
* You can submit more than one cartoon
* All submissions must be DIGITAL
* [This is a truncated list to get you started — PLEASE read the info on the Big Funny website!]

3. Content: This show is a nod to the old-timey comics, but your comic can be any style, theme, etc. Just try to be funny (it is called Big Funny, after all)
4. Deadline is MAY 1, 2009

Unlike Lutefisk Sushi, this is a juried show, which means that some comics won’t make it in the show. This has less to do with us being art snobs, and more to do with the complicated nature of putting a physical newspaper together on time and on budget.

We’ve already got a few submissions in (which, for a month before the deadline, is pretty outstanding), and they look great, so keep ’em coming!

If you have any questions, please read the Big Funny website. If you still have questions, please leave them in the comments section, and we’ll answer them there.

Here’s a BIG FUNNY chicklet for your website or blog:

BIG FUNNY Deadline in One Little Month

Things are moving fast… we are now a month from the BIG FUNNY deadline (May 1st). From the estimates we have received, it looks very likely that we will be able to do the whole publication in full color… so I hope participants will all strongly consider taking advantage of it!

Unless you make posters, there aren’t a lot of opportunities to get printed at such a huge size and in color… I can’t wait to be dazzled by what people do with it. It will be quite a unique publication… please do let all your cartoonist/poster artist/printmaker/designer/illustrator friends know about it, and encourage them to participate.

Specs and other information for the project can be found here on the BIG FUNNY website. There is also a text-only version of the information here.

I urge you to carefully read ALL of the information there before digging in, as the specs are particular… and we would really hate to have to reject people’s work because people didn’t follow the specs.

Here is a description of the project in the words of Kevin Cannon at the Big Time Attic blog:

So I was over at the watercooler today, and a co-worker leans over his cubicle wall and says, “Hey Kev, what’s this ‘BIG FUNNY’ all the kids are talking about?” So I say, “Well, Doug, check the BTA blog in a few minutes and I’ll tell you!”

So here’s the scoop:

Minneapolis cartoonists have a tradition of curating a yearly show at the Altered Esthetics gallery in Nordeast Minneapolis. Last year we mounted Lutefisk Sushi: Volume C, which was a huge hit, had a ton of great contributors, and had an absolutely packed opening night party.

This August we’re doing something a little different: Big Funny, a nod to the glorious & wacky full page (and often full color) newspaper comics of the turn of the century). Where Lutefisk Sushi asked participants to create mini-comics and gathered them all up in a BOX, Big Funny is asking people to draw a 15.5″w x 20″h comic strip (color or bw) which will then be printed in a big fat NEWSPAPER.

The Big Funny gallery show this August will have original art from the Big Funny newspaper, as well as vintage turn o’ the century comics (thanks to collector extraordinaire Steve Stwalley). You’ll also be able to get your hands on the Big Funny newspaper — right now we’re thinking it’ll be 48 pages.

Interested in having your cartoon grace one of those pages? Here’s a quick guide to get you started:

1. Read through www.cartoonistconspiracy.com/bigfunny. That should answer most of your questions.
2. Create your comic. Keep these specs in mind:
* Art should be 15.5″ (wide) x 20″ (high)
* If you’re doing color, make it 300 dpi
* If you’re doing black and white, make it at 1200 dpi
* You can submit more than one cartoon
* All submissions must be DIGITAL
* [This is a truncated list to get you started — PLEASE read the info on the Big Funny website!]

3. Content: This show is a nod to the old-timey comics, but your comic can be any style, theme, etc. Just try to be funny (it is called Big Funny, after all)
4. Deadline is MAY 1, 2009

Unlike Lutefisk Sushi, this is a juried show, which means that some comics won’t make it in the show. This has less to do with us being art snobs, and more to do with the complicated nature of putting a physical newspaper together on time and on budget.

We’ve already got a few submissions in (which, for a month before the deadline, is pretty outstanding), and they look great, so keep ’em coming!

If you have any questions, please read the Big Funny website. If you still have questions, please leave them in the comments section, and we’ll answer them there.

Here’s a BIG FUNNY chicklet for your website or blog:

LUTEFISK SUSHI VOLUME C OPENS TONIGHT!

I’m participating in and co-curating the Lutefisk Sushi Volume C show, which opens tonight. It features the work of over 50 Minnesota cartoonists, including the previously mentioned Kevin Cannon, who is premiering the limited print edition of Far Arden. If you can’t make it tonight, it will be up all month, with special events during Art-A-Whirl May 16th-18th.

The box set includes a copy of the first collection of my Rogues’ Gallery strips. A number of other rare and obscure mini-comics I’ve made will be available for sale there as well.

Hope to see you all there!

Lutefisk Sushi Volume C Opening, Friday May 2nd, 7PM-10PM
Altered Esthetics (alteredesthetics.org)
1224 Quincy St. NE
Minneapolis, MN 55413

CLICK HERE FOR MORE INFORMATION

Lutefisk Sushi Volume C

I’m participating in and co-curating the Cartoonist Conspiracy‘s third Lutefisk Sushi event opening this Friday, May 2nd.

We have over 50 Minnesota cartoonists participating this time around. As with the two previous shows, the focus of the show will be on a huge box set of mini-comics. Around 50 mini-comics for $25, in a gorgeous, silkscreened box set, limited to an edition of 150.

Other features at the show will include a fantastic overview of the work of featured artist Kevin Cannon, a “Potty Humor” exhibit, and a working, hands-on zoetrope built by Volume B’s featured artist Ken Avidor.

Click the image above to visit the Lutefisk Sushi Volume C website, and learn more about the show. In addition to the opening, the show will be up all month, with special events happening during Art-A-Whirl. I hope to see you there!

Lutefisk Sushi Volume C Opening
Friday May 2nd, 7PM-10PM
Altered Esthetics (alteredesthetics.com)
1224 Quincy St. NE
Minneapolis, MN 55413

City Pages Comics Issue

The Cartoonist Conspiracy recently collaborated with the City Pages to put together a comics feature on the subject of True Tales of the Twin Cities. That issue is out today in coffee shops, bars and other fine establishments all over the Twin Cities, and online here (with 18 more comics than appear in the printed issue). You can see my comic in the issue here.

700 Things From Big Time Attic

My good friends Zander Cannon and Kevin Cannon of Big Time Attic are going to be posting items to the 700 Things pool regularly as well… they just started with the 700 Clowns pool, doing me the honor of illustrating two of the clowns I named! Click on the images to see the full sized images on Flickr (and leave comments). Subscribe to the Big Time Attic blog to catch their weekly 700 updates (and a lot of other great content).

Clown #340: Slappy the Clown by Zander Cannon

Slappy the Clown has a hard life. He just slaps people, and frequently he gets slapped right back. He’s been forcibly removed from the big tent, the sideshow, and now the entire fairground. Forced to panhandle, he’s finally found where his disability is truly a blessing.



Clown #341: Jingles the Clown by Kevin Cannon

No description on Kevin’s yet… hopefully he’ll add one later…

Meet Stwallskull at MicroCon

I’ll be at MicroCon 2007 this Sunday, representing for The International Cartoonist Conspiracy. MicroCon is the little sister convention of the wonderful FallCon, both run by Midwest Comic Book Association. They are gracious and generous hosts to cartoonists, and offer free tables to all cartoonists who request them in time at both their conventions. Please stop by and see us and check out the fun. The Conspiracy table will be run by Danno, Bud Burgy (selling copies of his cool new anthology Muscles and Fights) and myself. Please check out the MNCBA site for the latest info.

MCBA MICROCON COMIC BOOK CONVENTION
Sunday April 29, 2007 10AM to 4PM
Minnesota State Fairgrounds
Progress Center
1621 Randall Ave
Saint Paul, Minnesota 55108
(Enter through the main gate on Snelling Ave, go 2 blocks and go right)

Far Arden Chapter Seven

Chapter seven of Kevin Cannon’s epic 288 hour comic, Far Arden, is online, and continues to get better and better… Kevin is blowing me away with this stuff every month. You would think, producing this stuff under such time constraints (all chapters drawn in 24 hours) that something would suffer… art, storytelling, plot, composition, layouts, design… hell, lettering! Kevin continues to make it all flow perfectly and beautifully, and make it look deceptively easy.

Click here to start reading at chapter seven.

Click here to start at the beginning.

Click here to read more about Kevin Cannon’s mad, mad project.

Click here to cheer Kevin on in his comments.

HOW TO GET YOUR COMICS ONLINE PART FOUR: Publishing and Promoting Your Work on the Web

This is the fourth and final part of a series of articles on getting your comics online. Here are the previous parts:

HOW TO GET YOUR COMICS ONLINE PART ONE: Advantages and Disadvantages of Putting Your Comics Online

HOW TO GET YOUR COMICS ONLINE PART TWO: Publishing Options, and the Necessity of RSS Subscriptions

HOW TO GET YOUR COMICS ONLINE PART THREE: Getting your Images Ready For the Web

Before I begin, I discussed briefly in chapter two some notes on building your website. I mentioned that I use Dreamweaver (and the other Adobe web applications), which costs money, and I directed you to a free option (called Seamonkey) made by the Mozilla foundation, the makers of the Firefox browser. Here is another free option I heard of recently that sounds pretty promising called NVU.

PUBLISHING YOUR FILES TO THE WEB

Publishing files to the web is easy. Once you have your domain set up, you will just put the url along with your username and address into your FTP program, and then you can treat the folder that contains your website pretty much like any other folder on your computer.

For an FTP program (file transfer protocol… a program to upload your files to your webserver), I use and recommend the freeware program Filezilla. Dreamweaver and some other webpage editors have the ability to ftp built into them (as do many recent operating systems, for that matter).

The main file people see when they go to your site, located on the top level of your site, should be called index, as in index.htm or index.html. The index file is the first file browsers will look for. Once you put an index file on the top level of your domain, that is what people will first see when they go to your url.

You’ll also want to create some subfolders to keep things organized. You’ll definitely want a folder called images to keep your images in. You’ll probably want subfolders in the images folder like my_comic and my_other_comic. If you don’t organize your files in folders, and by sensible names, things will quickly get out of hand, and it will be hard to find what you’re looking for.

Some good rules for naming files:

1) Avoid most special characters.
2) Use all lower case. The web is case sensitive, and if you use multi-case, you will regret it, I assure you.
3) Don’t use spaces in file names. Use underscores ("_") instead.
4) When numbering files, use 0’s. This will also make your life easier. If you think there will be 1-99 images in a series, name them image01, image02, image03, etc. If you thing there will be 100-999 images in a series, name them image001, image002, image003, etc.
5) Use long descriptive names when necessary. This will make your files easier to find. I like to break up my files by large categories to small categories. Here’s an example of a good long file name:

mycomics_mycomic_series_page01.jpg

You refer to files on the web by their location. If you put the above example image in your images folder, you would be able to reference it at:

http://yourdomain.com/images/mycomics_mycomic_seriespage01.jpg

That is what you would use to reference the image in image tags (which would make the image show on an html page):

<img src="http://yourdomain.com/images/mycomics_mycomic_seriespage01.jpg">

Or if you wanted to link to them:

<a href="http://yourdomain.com/images/mycomics_mycomic_series01.jpg">My image</a>

Again, the purpose of this series of articles is not to be an html tutorial (there are plenty of those out there). Hopefully, these examples get the general idea across, but if you want to learn more about html tags, you should find plenty of information elsewhere.

PROMOTING YOUR COMICS ONLINE

Well this is something I certainly don’t excel at myself, but I’ll share with you the promotional options I know of anyhow (in no particular order).

A) The Cartoonist Collective

One excellent way to promote your work is to post your work with other cartoonists, so you can share readers and promotion. You can share a website with your cartooning friends. Group blogs work great for this. Both Blogger and WordPress can be used as group blogs just as easily as solo blogs… you just add users in the admin. This seems like a great option to me, and would potentially be a load of collaborative fun.

B) Ranking Sites

There are a number of ranking sites around the web. Getting ranked on these sites will get you some traffic, but I wouldn’t recommend spending much time trying to improve your ranking on them… I don’t think any of them are very effective ways to promote your work. Here are the ranking sites I know of:

thewebcomiclist.com
topwebcomics.com
buzzcomix.net

C) Getting on Search Engines

There are some things you will want to do to make your website search engine friendly… there are a lot of things you can do, but I wouldn’t recommend spending too much time on this either, since trying to second guess search engines is probably more of a headache than it is worth.

You will want to do is put metatags on your home page. These are just some tags you add to the top of your page code. Here’s an example of some metatags put into the head of an html page:

<head>
<title>My Website</title>
<meta name="Description" content="My Website is a site where My Comics by Me, a comic strip about my life, appears on a daily basis.">
<meta name="Keywords" content="my first name, my last name, comic strips, comics, webcomics, cartoons">
</head>

This is very easy, so you really shouldn’t get intimidated by it… just paste the above code into your html page in the appropriate place and change it in the appropriate places to reflect the contents of your site, and that is all there is to it.

Note that there is no limit to the number of keywords or other information you can put in your metatags, but you don’t want to go overboard with it… by all accounts I’ve seen, it doesn’t help to do so, and it may even hurt. Your best bet is to try and describe your content accurately and concisely.

Using descriptive titles on your pages and providing alternate text for your images will also probably help with your search engine rankings… I usually don’t bother with this, but it is a good idea.

Many search engines will encourage you to send links to your site with descriptions. Again, I don’t think this is worth spending a lot of time on, but every bit helps. If you’re going to do this, hit google, yahoo and msn first (especially google), since those are the biggest ones. If you have a blog, you’ll probably want to register it at Technorati, which is probably the biggest blog searching site around. You may want to look for comics specific search engines like this one. There are some sites out there that will submit your site to multiple search engines at once, but I don’t have one to recommend, and a search for one leads to some pretty sleazy looking sites, so be careful where you enter your information, as always.

If you want to explore this stuff more, google offers a service for helping you to improve your ranking on their search engine, which may be useful.

D) Getting on Link Lists, Blogrolls, and Web Rings

Getting links to your site from other places will help your search engine rankings… it is one key for getting a good rank on Google.

Unfortunately, there is no real formula for this… some sites out there encourage you to send them links for them to add, but mostly they get put up by folks who find your work and like it.

Trading links with other cartoonists is an accepted practice… the term "blogroll" for the list of links on the side of a blog comes from the book publishing term "logrolling" which refers to the industry practice of authors trading blurbs for the covers of each others’ books.

I tend to think Web rings don’t work very well for getting new readers, but I may be wrong… I don’t think most users will follow links unless they have a compelling reason to do so. However, any links will help your search engine rankings.

E) Commenting and Participating on Blogs, Message Boards and Other Forums

Commenting on other peoples’ sites is a good way to drive traffic to your site. Most message boards will let you add a signature to your posts, which you can use to provide links to your site or sites.

Don’t comment just for the sake of commenting though… you won’t make any friends contributing to all the spamblabber out there on the web. Comment only if you have something to say… being an active participant on the web with worthwhile contributions will build your reputation and your web traffic.

F) Reviews

Getting reviews is among the best way to find new readers. Even bad reviews probably help somewhat, although you certainly don’t want to seek those out… send your work to appropriate places to get read and reviewed. If you’re doing a comic about superheroes, don’t send it to get reviewed by furries, and versa-vica.

Where are these places to get reviewed? Really, I don’t have a lot of resources for this. You would think there would be a ton of comics review blogs out there, but honestly, I haven’t seen all that many. There is the Comics Journal, but that focuses mostly on print comics. There is the Webcomics Examiner, but they don’t provide any obvious way to submit your work for consideration, which seems like a pretty serious oversight. Here’s what a search for webcomics reviews on google gets you. Do you know of more good comics review sites? I’d love to hear about them in the comments.

G) Subscriptions and Email Subscriptions

As I mentioned previously, having an rss feed for your comics is the best way to build a readership. If people subscribe to your feed, they will receive all your updates when you make them without having to visit your site to find the updates. This will build your fan base, and having fans that are vocal advocates of your work is the best way to find more readers. For more information about rss feeds, I refer you to previous chapters of this article.

H) Social Networking Sites

Social networking sites like myspace are a pretty good way to help build an audience if you use them actively, or so I hear. I have two I’m maintaining on the biggest social networking site for cartoonists and comic geeks, comicspace. I have one for me, and one for the Cartoonist Conspiracy. I also have one on myspace for Soapy the Chicken that I haven’t logged into for months.

I don’t have time to be active with these in addition to my own sites, so I just use them to rather pathetically "add friends." I really don’t think this is doing me much good at all.

However, if I was active with these, posting comics, newsreleases, etc. on them, I would guess it would pay off… I’d rather spend my time working on my own comics and sites, though, and these social networking sites can clearly be a big time hole. It may hurt you if you are like me, and you don’t properly maintain them, so I wouldn’t suggest building them unless you intend to spend the time checking and updating them regularly.

I) Paid Advertising

Some comics sites offer paid advertising. I played around with some cheap ones on a fairly popular webcomic site and on one of the ranking sites to see if they would increase the traffic on my Soapy the Chicken site. My traffic did go up a bit. I REALLY don’t recommend it, though, since it costs money, and I don’t think it will generally help your traffic that much. How many times have you clicked on a banner ad? I’ve been surfing the web since the early nineties and I don’t remember ever clicking on an ad that I didn’t make.

J) User-Driven Recommendation Sites

There are some sites out there specifically designed for recommending links. Digg is one of the most popular examples of this. Users submit a site, and the more it gets viewed and recommended by users of that site, the better its ranking gets on the site. You can encourage users to digg your content by adding a button for digg on the bottom of your posts, if you have a blog.

There are a lot of other sites out there that do this sort of thing… I’d only focus on ones that are well used if you are going to pursue encouraging this sort of thing. If you join and explore feedburner, it will point you to a number of them, and will make it easy to add them to your rss feed.

K) Monitoring Your Traffic

There are many online applications that will let you see where your website traffic is coming from.

This knowledge can help you see where you are most benefiting from various promotional attempts, and help you know the best things to focus your energy on.

The excellent resource feedburner is a good thing to use (for monitoring traffic and a number of other reasons) if you are maintaining a blog site. There are a multitude of other options… any halfway decent webhost will provide you with a way to monitor this stuff on some level. Most of these will probably involve some level of setup, but it usually isn’t too complicated.

L) Word of Mouth

Good word of mouth comes from doing good work, getting it read, and getting people who are passionate enough about your work to want to tell others about it.
I think this is the single most effective way to promote your work, and it is also possibly the hardest to acquire. I don’t think there is a formula for getting good word of mouth, necessarily… the best you can probably do is keep at it, publish frequently (ideally on a schedule), encourage everyone you encounter to read your work, and encourage those who read your work to spread the word. Your devoted readers are your best allies for getting you more devoted readers.

M) Go to Comic Conventions

Besides making great comics, there is probably no better way to get devoted readers than meeting your readers in person. Comic conventions are the easiest way to do this. Usually it will cost some money to get a table, so sharing a table can help. There are some wonderful, rare conventions out there that offer free space to creators as well… the excellent Twin Cities conventions FallCon and MicroCon both do. If you know of other free conventions, or conventions you recommend for other reasons, please let us know in the comments.

N) Have a Signing, Reading, Art Show or Other Event

If you’ve published something, having an event to promote it at your local comic shop may get you some new readers. Talk to your favorite comic retailer and see if they are open to it. You could even tour with your comic to comic shops around the country, although clearly, this is a lot of work, expense, and risk.

Don’t limit yourself to comic shops, necessarily either. Bookstores, coffee shops, bars, and galleries may be open to an event as well, if you pitch it right… and finding audiences that don’t usually read comics can sometimes provide you with some of the most enthusiastic fans.

O) Meet Other Cartoonists

Meeting other cartoonists to collaborate, share advice, and cross-promote with is pretty essential… and awfully rewarding. The act of cartooning is a very isolated endeavor… it is awfully nice to have friends who can relate to it.

Besides going to conventions, the best way I know of to meet cartoonists is to attend or start a cartooning group locally.

I like to think the best resource for meeting cartoonists is to join The International Cartoonist Conspiracy, a group which I am the webmaster for. Any cartoonist anywhere can start a cell of the Conspiracy. Membership is open to all cartoonists regardless of gender, race, age, religious beliefs, sexual orientation, attractiveness, wit, or talent. Only the desire to produce comics is necessary.

Besides social interaction on our website, we have cells around North America (and soon, the world!) that meet regularly in the flesh to draw comics. We’ve been conspiring since December 2002, and currently have cartoonist cells of varying levels of activity in Minneapolis MN, San Francisco CA, Calgary/Edmonton, Chicago IL, Lancaster PA, Milwaukee WI, Montreal, Rice MN, Sacramento CA, Sioux Falls SD, Springfield IL, Kansas City MO, Santa Fe/Albuquerque NM, Springfield, MO, North Carolina and Albert Lea, MN.

If you join the Conspiracy your local group will be part of a bigger group of collaborators as well, and will be able to post to our group blog, add events to our calendar, and have a section of our message board. Go here for more information about joining the Conspiracy, and contact me directly if you want me to get you set up.

Know of other ways that work for promoting your comics? Have questions about what I’ve posted? Please let us hear about them in the comments!