HEY! KIDS! COMICS! : Four Color Comics at Cool-Mo-Dee : February 25th, 2009

STWALLSKULL'S HEY! KIDS! COMICS!

Much like the Crosseyed Cyclops I mentioned yesterday, Cool-Mo-Dee has also posted a whole comics collection worth of great old comics. Recently they’ve been doing the world the great service of focusing on one of my favorite series of all time… which is also I believe the longest running (numerically) comic title of all time… Dell’s Four Color series.

Dell licensed and published most of the popular highly recognizable children’s icons of the era that they were in business, and they had most of the best children’s cartoonists working for them (Barks, Kelly, Stanley, and many others) from the 30’s through the 60’s.

I’m not sure how frequently Four Color came out (weekly? bi-monthly?) but the last issue was numbered #1354. It was not a conventional series featuring one character, but a long series of one shots featuring Dell’s huge library of popular licensed characters.

Four Color‘s run includes the first Donald Duck comic and the first Uncle Scrooge comic among other wonderful things… many of the greatest adventure tales of Carl Barks were Four Color one shots. Walt Kelly did a huge body of brilliant non-Pogo work for children in the Four Color books in a number of different titles.

Titles that proved particularly popular were often spun off into their own series, so Four Color was very much a testing ground for Dell as well. The vast majority of the Four Color comics have never been reprinted and probably never will be.

Pictured above is a typically charming cover to a typically charming issue of Raggedy Ann (Four Color #72), which you can download here.

You can read more about the Four Color series on Wikipedia here.

CRUMBLING PAPER: Winnie Winkle, The Breadwinner (strip #3)

Here’s another example I scanned of Winnie Winkle, The Breadwinner from 1930 by Martin Branner.

Click the image to view the full strip.

Click here to read more examples of Winnie Winkle at Barnacle Press.

See another Winnie Winkle Sunday strip here.

Click here to read an old article on Martin Branner at the Stripper’s Guide here.

Click here to read Louie the Lawyer by Martin Branner at the Stripper’s Guide here.

Click here to read about Martin Branner at lambiek.net.

Click here to read about Winnie Winkle at Don Markstein’s Toonopedia.

See some interesting Winnie Winkle original art here.

CRUMBLING PAPER: Winnie Winkle, The Breadwinner (strip #2)

Here’s another example I scanned of Winnie Winkle, The Breadwinner, with the footer strip Looie Blooie, Attorney at Law, from 1933 by Martin Branner.

Click the image to view the full strip.

Click here to read more examples of Winnie Winkle at Barnacle Press.

See another Winnie Winkle Sunday strip here.

Click here to read an old article on Martin Branner at the Stripper’s Guide here.

Click here to read Louie the Lawyer by Martin Branner at the Stripper’s Guide here.

Click here to read about Martin Branner at lambiek.net.

Click here to read about Winnie Winkle at Don Markstein’s Toonopedia.

See some interesting Winnie Winkle original art here.

THE PEANUT GALLERY: Wait a Week to Watch the Watchmen

STWALLSKULL'S PEANUT GALLERY

I started a Facebook group here that I encourage you all to join encouraging people to wait a week (or more) to watch the movie adaptation of Watchmen. Here is what I posted there:

The movie Watchmen was made without the consent or participation of the writer of the book, Alan Moore.

Out of respect for Mr. Moore, members of this group should wait at least one week (preferably more) after the theatrical release of Watchmen to watch it, as a small protest to the consistently poor treatment of Mr. Moore by Time Warner and DC Comics. DC comics, it should be noted, has a long and notorious history of poor treatment of cartoonists, going back at least to screwing a couple of teenagers out of the rights to Superman.

I am not arguing that it is wrong to go see the Watchmen movie if you really want to. I am just suggesting you wait a bit to see it, out of RESPECT for the person who wrote it, as his wishes for it are not being honored.

I repeat… this is an issue of RESPECT. It is not a legal issue. It is not an issue of artistic merit, or lack thereof. It is not even an issue of being completely sick of seeing marketing for this movie everywhere, even though I certainly am. It is an issue of respecting the intent of an artist whose works you respect.

Furthermore, a week is a VERY small time to wait if you really want to see this thing. It is an important time to the Time Warner Corporation, however, as how a movie is received in its first week very much effects how successful it is overall.

I’ve read many objections to Mr. Moore’s complaints about the film. Yes, Mr. Moore was doing work for hire… yes, he sold the rights to Watchmen. It was certainly a bad business deal.

Mr. Moore signed a contract where the rights to Watchmen would return to him after the book had been out of print for a designated period of time. At the time Watchmen came out, there was no precedent for a graphic novel NOT going out of print. Watchmen, Dark Knight and Maus changed that. Mr. Moore naively thought at the time he signed the contract that he would get the rights back, and DC Comics was happy to exploit him.

Regardless of whatever mistakes Mr. Moore has made in this instance, his works have greatly enriched my life. Out of respect for him, I don’t think it is asking a lot to wait a week or two to see whatever travesty they have made of his book on the screen… or, better yet, you could choose not to see it at all.

The book is still on the shelf, and will always be the best way to experience this masterpiece of comics fiction. Why not do yourself a favor and read it instead of watching the Hollywood aberration?

If you’ve ever read and enjoyed any of the wonderful works of Alan Moore, please consider affording him this extremely small favor.

Here is an interview with Alan Moore on the subject at Entertainment Weekly.

Here is an overview of Mr. Moore’s history with the movie business from the New York Times.

For another view on this, see this interview with Watchmen artist Dave Gibbons, who approves of the movie.

Slime-coated Hollywood producer Don Murphy calls Alan Moore a hypocrite and a liar, and completely misses the point, as you would expect.

(Note: Above image is Creative Commons licensed on Flickr here.)

CRUMBLING PAPER: Winnie Winkle, The Breadwinner (strip #1)

Here’s an example I scanned of Winnie Winkle, The Breadwinner, with the footer strip Looie Blooie, Attorney at Law, from 1933 by Martin Branner.

Click the image to view the full strip.

Click here to read more examples of Winnie Winkle at Barnacle Press.

See another Winnie Winkle Sunday strip here.

Click here to read an old article on Martin Branner at the Stripper’s Guide here.

Click here to read Louie the Lawyer by Martin Branner at the Stripper’s Guide here.

Click here to read about Martin Branner at lambiek.net.

Click here to read about Winnie Winkle at Don Markstein’s Toonopedia.

See some interesting Winnie Winkle original art here.

HEY! KIDS! COMICS! : Carl Barks’ Porky of the Mounties : February 17th, 2009

STWALLSKULL'S HEY! KIDS! COMICS!

TODAY’S FEATURED ITEM:

Carl Barks is best known for all his fantastic work on the Disney Duck comics, but he did other wonderful kids comics for Dell as well. Today, Cool-Mo-Dee brings us his one Porky Pig comic book, Porky of the Mounties, which was Four Color issue #48. Pictured above is a small image of the Porky of the Mounties painting that Barks did for the cover of the 1977 Overstreet Comic Book Price Guide.

CRUMBLING PAPER: Herr Spiegleburger by Carl Anderson

Here’s an example I scanned of Herr Spiegelburger aka Herr Spiegelberger from May 7, 1905 by Carl Anderson. Anderson later went on to create the wordless strip Henry, for which he is best-known.

Click the image to view the full strip.

Please be advised that like many of the comic strips of the era, it contains potentially offensive ethnic depictions. If this sort of thing offends you, you may not want to view it.

Click here to read about Carl Anderson at lambiek.net.

Here is a Carl Anderson fan site with a number of Henry strips.

Somewhat improbably, Henry still exists as a King Features comic strip to this day. I don’t recall ever seeing it in a modern newspaper during my lifetime.

Click here to read more about Carl Anderson’s Henry at Don Markstein’s Toonopedia.

You can find a couple complete Henry comic books here and here.

HEY! KIDS! COMICS! : Jack Kirby’s 2001: A Space Oddysey : February 13th, 2008

STWALLSKULL'S HEY! KIDS! COMICS!

TODAY’S FEATURED LINK:

I’ve been on a Jack Kirby kick lately. I just wrote a Kirby homage my friend Danno is going to illustrate for the Minicomics Dumptruck project (to be called Phenomenal Tangents), and it got me rereading some of the Kirby comics I had in the basement.

A lot of people love Jack Kirby the artist… a smaller group love Jack Kirby the writer. I like Kirby’s writing as much as his art… he is endlessly inventive and bizarre, if often more than a little incoherent. In addition to all his other numerous achievements, he made some of the most dreamlike comics of all time.

Much of his writing seems almost like he is doing a jam comic with himself… rather than seeing a clear big picture, he constantly changes direction, introducing whatever new idea or plot element catches his fancy to talk about and to draw. He writes like a cross of Ed Wood and Phillip K. Dick… inventiveness and surrealism drips from every page of his best work.

One of his best and least-recognized accomplishments I’ve seen is his interpretation of Arthur C. Clarke/Stanley Kubrick’s 2001: A Space Oddysey for Marvel Comics in the 70’s. Divorced from having a single protagonist or defining concept beyond the mysterious obelisk through the series, Kirby just goes nuts. I’ve only read random issues of it… however, I’m going to download it and read the whole thing because both The Cross-Eyed Cyclops just posted it (here and here). This is highly unlikely to get reprinted, I think, since it is tied to the 2001 franchise. Don’t miss it.

INTERESTING LINKS: The National Digital Newspaper Program : February 13th, 2009

STWALLSKULL'S INTERESTING LINKS

Happy Friday the 13th!

TODAY’S FEATURED LINK:

I’m excited to call your attention to The National Digital Newspaper Program, the first online newspaper site I’ve seen where the comics appear to be in reasonably good resolution (you could actually print these and have it look decent)… and it’s free! Thank you, gubbmint, for doing something worthwhile for once! Unfortunately, no color, but still fantastic. Check out the great comics sections from The Salt Lake Herald, for a good example. Those of you out there participating in the previously mentioned BIG FUNNY project will want to check this out for sure!

Also, here’s an index of online newspaper digitization projects.

Below: An example of Gus Mager’s Rhymo the Monk from The Salt Lake Herald, courtesy of the National Digital Newspaper Program. A WHOLE LOT more at the link.

HEY! KIDS! COMICS! : Jack Kirby Illustrates Your Dreams at Cartoon SNAP : February 4th, 2009

STWALLSKULL'S HEY! KIDS! COMICS!

TODAY’S FEATURED ITEM:

Sherm Cohen at Cartoon SNAP brings us some examples of readers’ dreams illustrated by Jack Kirby for the 50’s comic series The Strange World of Your Dreams.