Crumbling Paper: George Carlson’s Pie-Faced Prince of Pretzleberg (strip #1)

I found these nice scans of an installment of George Carlson’s Pie-Face Prince of Pretzleberg from an unknown issue of Jingle Jangle Tales a while ago on Ebay. These are black and white scans from the original art (which is what they were selling). The pages are gorgeously and inventively designed and illustrated, as always seems to have been the case with Carlson. Fun and crazy stories as well.

I wish someone would reprint his entire output, I’d love to read it all. You can see some more of Mr. Carlson’s work in The Smithsonian Book of Comic-Book Comics, if you can find a copy… he also did a Learn to Draw Comics book that I’ve been meaning to order for ages. It is a cheap Dover reprint, only $5.95, which has gotta be a steal.

Sooner or later, I plan to get around to scanning the issues of Jingle Jangle that I’ve acquired.

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Crumbling Paper: Uncle Pike by A.D. Reed circa 1903 (and some miscellaneous gags) (strip #1)

Here’s another huge old Sunday scan for you. There are two strips on this page from 1903… the top is

a series of one panel gags by a number of different cartoonists. The only legible signature is that of “Joe Rigby” in the second panel. Here are close ups of the other ones… can anyone out there identify these cartoonists?


From panel 1.

UPDATE: Cole Johnson identified the artist of panel 1 as Carl Anderson.


From panel 3. Looks like “Sanders.”

UPDATE: Cole Johnson identified the artist of panel 3 as C.R.McAuley.

Panel 4 is unsigned.


From panel 5.

UPDATE: Cole Johnson identified the artist of panel 5 as Carl Anderson (as with panel 1).


From panel 6.

UPDATE: Cole Johnson speculates that panel 6 may be by George Herriman… definitely looks like a likely possibility to me as well, although that signature-like scribble may indicate otherwise.


From panel 7. The art looks a bit like James Swinnerton, but I doubt it is him.

UPDATE: Cole Johnson identifies this panel as being by William Marriner.

The second strip is “How Uncle Pike Secured the Unanimous Vote” by A.D. Reed. According to the Ohio State collection, Uncle Pike ran from 1902 to 1905.

I’m not sure what paper these are from… the Ohio State copies are from The Philadelphia Press, and the copyright on these is McClure. Click on the below image to view the strip.

Race and Ethnicity in the Early Comics

I recently scanned a bunch of huge ancient pages of ancient Sunday newspaper comics that will be appearing here… here is the first one.

I chose the most obviously offensive one to share first, as there is a lot to offend in these comics, so I figured I’d address this at the outset.

As with a huge amount of cartoons from the early part of the last century, it features tasteless racial depictions. As a person living in the modern world looking at old comics and cartoons, it is pretty mind blowing just how racist many early comics are. As these unfortunate and ignorant caricatures can sometimes taint the reading experience, I think it is worthwhile to analyze where these cartoonists were coming from with this stuff a bit.

First of all, I think it is worth observing that although the depictions are shallow caricatures, they are rarely hateful. For me, this is the largest part of the reason that I usually have no problem stomaching this stuff… sure the depictions are based on ignorant generalizations, but the motivation is almost always to amuse rather than to spread hatred.

Second of all, my impression from reading stuff from early in the last century, I don’t think that most people even had heard of the concept of racism. Race and ethnicity was not only viewed as a ripe source of humor… it was one of the most popular sources of humor.

Today’s newspaper comics (which I should note are incredibly tame in comparison to the early comics in almost every way imaginable) have their genres… domestic humor, office humor, funny animals, etc. If you were to divide up the major genres of the early (pre-1920) comics, it would have been something like racial and ethnic humor, devil children humor, unstable marriage humor, dim-witted woman humor, homelessness and poverty humor, violence and misfortune humor, and wacky surrealism.

Clearly, the world has utterly changed.

I find these comics to be important historical documents, depicting views of people from another world, and they are frequently hilarious and entertaining. I’m able to forgive, if not overlook, their often dim-witted views on race and ethnicity (not to mention women, the homeless, etc, etc, etc.).

I hope in viewing these old comics you will be able to enjoy them in spite of their shortcomings in these areas… there are many wonders to be found in the old comics, but they definitely aren’t for everyone. If you find these comics offensive, you are well justified, and if such is the case I encourage you not to view them.

So that all said, here are deeply offensive Chocolate Drops, by E. W. Kemble, circa July 23, 1911 from the American Examiner.

Oy. If you can handle this one, I doubt you’ll have any problem with the rest of the scans.

I can’t imagine a strip in a modern paper depicting young kids stealing a car for a joyride and laughing when they get some adults arrested, can you? Anyone who says the past was a more innocent time is talking out of their ass.

Crumbling Paper: Gluyas Williams Circa 1927 Strip #26

This is the last item in a series of scans of 1927 strips from cartoonist Gluyas Williams. Thanks again to Zander Cannon for passing these great strips my way. I’m donating the scans to gluyaswilliams.com to give them a more fitting home on the web… hopefully their collection of strips will continue to expand. Click on the image below for the full strip.

You can see some more great stuff by Gluyas Williams at gluyaswilliams.com, at The Stripper’s Guide, and at Barnacle Press.